Balleteatro

Based on Portuguese concrete and experimental poetry from the 1960s and 1970s, the work focuses on the composition of choreographic scores, which unfold the visuality of the relationships between the gestural and vocal dimensions of the poetics produced by the performers. The dance becomes an opening between the nonsensical and the concrete, constituting dynamic figures that spatialize the meanings generated by the folds of gestures and the curves of words.

Choreographer: Jorge Gonçalves

Performers: 2nd year dance students from Balleteatro.